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Credits
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Artists
- Ben Arnold
- Omar Badsha
- Hilda Bernstein
- Willie Bester
- Gerard Bhengu
- Gregoire Boonzaier
- Arthur Butelezi
- Chauke Family
- W.H. Coetzer
- Peter Clarke
- Welcome Danca
- Sibusiso Duma
- Diederick During
- Dumile Feni
- Emily Fern
- Judith Gluckman
- Constance Greaves
- S’Celo Hlongwa
- Jackson Hlungwani
- Gavin Jantjies
- Sfiso Ka-Mkame
- Dorothy Kay
- Job Kekana
- Thomas Kgope
- Eli Kobeli
- Welcome Koboka
- Dezso Koenig
- Vincent Kubeka
- Sydney Kumalo
- Amos Langdown
- Maggie Laubser
- Ezrom Legae
- Simon Lekgetho
- Neville Allan Lewis
- Lippy Lipshitz
- Zan Louw
- Noria Mabasa
- Fikile Magadledla
- Judus Mahlangu
- Zamani Romeo Makhanya
- Trevor Makhoba
- Enos Makhubedu
- Joseph Manana
- Billy Mandindi
- Louis Maqhubela
- Joe Maseko
- Mizream Maseko
- Colbert Mashile
- Johannes Maswanganyi
- Leonard Matsoso
- Azaria Mbatha
- Eric Mbatha
- Gladys Mgudlandlu
- M.T. Mhlongo
- Mbongiseni Jerome Mkhize
- Simon Mnguni
- David Mogano
- John Koenakeefe Mohl
- Nathaniel Mokgosi
- Ernest Mancoba
- Julian Motau
- Tommy Motswai
- Harry Moyaga
- Clifford Mpai
- George Msimang
- Zwelethu Mthethwa
- Myeza Mthokozisi
- John Muafangejo
- Nelson Mukhuba
- Lucy Mullins
- Albert Munyai
- Selby Mvusi
- Sipho Ndebele
- Ephraim Ngatane
- Lindelani Ngwenya
- Sam Nhlengethwa
- Hezekiel Ntuli
- Derrick Nxumalo
- Frederick Hutchinson Page
- George Pemba
- Marianne Podlashuc
- Alexis Preller
- Dan Rakgoathe
- Philip Rikhotso
- Winston Saoli
- Johannes Segogela
- Gerard Sekoto
- Phutuma Seoka
- Cyprian Shilakoe
- Paul Sibisi
- Sithembiso Sibisi
- Durant Sihlali
- Lucas Sithole
- Themba Siwela
- Cecil Skotnes
- Irma Stern
- Alfred Thoba
- Enoch Tshabalala
- Barbara Tyrrell
- Maurice Van Essche
- Mary Van Wyk
- Marjorie Wallace
- Clive Zamani Xaba
- Vuminkosi Zulu
- Tito Zungu
- Manfred Zylla
Myeza Mthokozisi
This work (plate 56) by Mthokozisi depicts a view through the open door of his neighbour’s house in Mpuzuma, outside Pietermaritzburg. The view is framed by the open door with its handle on the right, and by the wall and the door jamb on the left. The house is obviously in a raised position on a hillside similar to that of the other houses seen on the hills across the valley. A power pylon, indicative of the recent electrification of Mpuzuma, stands amid some bushes on the left. It seems to support a washing line with washing. In the foreground, a black and a white dog seem to be greeting each other in a typical canine fashion. This is an unusually quiet and contemplative work in that it is devoid of the human presence so forcibly omnipresent in virtually all scenes of so-called ‘township’ life. Mthokozisi currently works as a full-time artist, mainly on portraits.
Hayden Proud

