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Peter Clarke – For some the pathway to education lies between thorns

Shane

The Collection as the Image of the Collector Hayden Proud

The Collection as the Image of the Collector

The Collection as the Image of the Collector Written by Hayden Proud With its principal…
Shane
ShaneMay 16, 2026
The Possibility of Tradition Ivor Powell

The Possibility of Tradition

The Possibilty of Tradition Written by Ivor Powell It is a source of frequent if…
Shane
ShaneJanuary 13, 2026
Cast in Colour: Towards an Inclusive South African Art Mario Pissarra

Cast in Colour: Towards an Inclusive South African Art

Cast in Colour: Towards an Inclusive South African Art Written by Mario Pissarra I The…
Shane
ShaneDecember 31, 2025
Coming Through the Night Elza Miles

Coming Through the Night

Coming Through the Night Written by Elza Miles Where could they bury the child? They…
Shane
ShaneMay 16, 2026
From Bhengu to Makhoba Mzuzile Mduduzi Xakaza

From Bhengu to Makhoba

From Bhengu to Makhoba: Tradition and Modernity in the Work of Black Artists from KwaZulu-Natal…
Shane
ShaneMay 16, 2026
ReVisions: Expanding the Narrative of South African Art Lize Van Robbroeck

ReVisions: Expanding the Narrative of South African Art

ReVisions: Expanding the Narrative of South African Art. Written by Lize Van Robbroeck The Campbell…
Shane
ShaneMay 16, 2026

EXPANDING THE NARRATIVE
OF SOUTH AFRICAN ART

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About Revisions

Revisions is an archive of South African art drawn from the Bruce Campbell Smith Collection, spanning the 1920s to the present. In seeking to expand the narrative of South African art, it places particular focus on modern Black artists historically excluded from the country’s art canon under apartheid and imposed Western cultural conventions. Revisions exists to support education, access, and the ongoing re-evaluation of South African art history.

Designed byGilgamesh Branding & Design

© 2026 Revisions. The Campbell Smith Collection, All Rights Reserved. T&Cs.

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